[citation needed] His works in the 1980s showed a tendency towards figurative representations, and dealt with problems of identity. This book is an intensive reconsideration of the very first site-specific installation staged in India. All images courtesy the artist and Kiran Nadar Museum of Art… Some of the recent works of popular artists such as Akbar Padamsee and Vivan Sundaram, in fact, show that these artists, formally trained … The retrospective careens through different shifts in Sundaram’s art practice and his explorative approaches. For veteran installation artist Vivan Sundaram, one man’s trash is another man’s treasure. First as a painter and subsequently in large-scale conceptual installations, Vivan Sundaram‘s artistic practice has responded to contemporary politics with radical vanguardism. As a person, Sundaram has become quite reserved over the years. Vivan Sundaram was born in 1943, Shimla. According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. Vivan Sundaram's art comes from his deep interest in the political and a strong attachment to the personal. Contemporary Asian Art. Publisher: New Delhi Tulika Books 2017 Description: 309p. Gireesh GV. 1943, Shimla / India), based in New Delhi, makes paintings and large-scale conceptual installations. His parents were Kalyan Sundaram, Chairman of Law Commission of India from 1968 to 1971, and Indira Sher-Gil, sister of noted Indian modern artist Amrita Sher-Gil. The ruptures in Sundaram’s practice, especially in his pioneering experiments in installation and video art in the 1990s, are evident. ISBN: 9789382381945. On display are around 180 artworks which include drawings, paintings, sculptures, collages, photo-montages and installations created over a period of five decades. As a person, Sundaram … According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. The original photographer was Sundaram's grandfather Umrao Singh. 1993 ‘Figures of Thought’, directed by Arun Khopkar, on Bhupen Khakhar, Nalini Malani and Vivan Sundaram. A mammoth ship-shaped structure, decorated in hues of red, yellow and blue, awaited visitors at the studio of renowned contemporary artist Vivan Sundaram. He studied painting at M.S. Vivan Sundaram: history project : a site-specific installation, Victoria Memorial, Calcutta, 1998 By: Sundaram, Vivan. University of Washington Press, 2015. On display are around 180 artworks which include drawings, paintings, sculptures, collages, photo-montages and installations created over a period of five decades. India. He returned to India in 1970 and continued painting. University, Baroda and The Slade School of Fine Art, London in the 1960s. Quite unlike any other study on the art of modern and contemporary South Asia, A Fragile Inheritance is a deeply informative work that stresses the intellectual We use cookies to enhance your experience on our website.By continuing to use our website, you are agreeing to our use of cookies. University of Baroda and Slade School of Art, London. Since 1990 he has turned to making artworks as sculpture, installation, photography and video. 1400 postcard-sized photographs in metal frames in a circular floor installation, 300cm diameter x 30 cm height. May 25th, 2013. Installation view of VIVAN SUNDARAM ’s “Step Inside and You Are No Longer a Stranger,” at Kiran Nadar Museum of Art, New Delhi, 2018. ‘Vivan Sundaram’: One World Art/The Right to Hope TV series by Iikka Vehkalahti. His spouse is the famed art critic Geeta Kapur, and his vast oeuvre, stretching from his early paintings in the 1960s to larger-than-life installations of the current day, speak for themselves. He graduated from the Faculty of Fine Arts in Baroda and the Slade School of Fine Arts in London in the 1970’s on a commonwealth scholarship. Memorial: An Installation with Photographs and Sculpture 1993, AIFACS Galleries (New Delhi - India), Sakshi Gallery (Mumbai - India), Project Space Tate Modern (London - UK) and Khoj International Artists' Association (New Delhi - India). Collection of the artist, New Delhi. Related Categories. http://www.gallerychemould.com/artists/vivan-home/ (ed. He is married to eminent art historian and critic Geeta Kapur. Routledge, 2015. (Co-edited with Kavita Singh), No Touching, No Spitting, No Praying: The Museum in South Asia. According to Ashish Rajadhyaksha, ‘As recently as three years ago, Vivan Sundaram was described by a colleague as firmly implanted in an oil-painting tradition “inherited from the grandest years of European Figurative painting”. Take “Collaboration Combines” (1992; … He developed a style of political commentary on contemporary politics with radical frontline views, mostly stemming from his politically active years as a student in MS University, Baroda and later at the Slade School, London. Vivan Sundaram single-handedly worked for the western interests. Vivan Sundaram revisits the Bombay Mutiny of 1946 “Meanings of Failed Action: Insurrection 1946” is an art installation and experiential exhibition about a mostly forgotten event in India’s pre-independence movement, ongoing at the CSMVS Museum. Vivan Sundaram by Nandakumar for Doordarshan. Dell Upton What Can and Can’t Be Said: Race, Uplift, and Monument Building in the Contemporary South Yale University Press, 2015. Vivan Sundaram, Great Indian Bazaar, 1997. 1400 postcard-sized photographs in metal frames in a circular floor installation, 300cm diameter x 30 cm height. ), The Migrant’s Time: Rethinking Art … University, Baroda and The Slade School of Fine Art, London in the 1960s. [1][2][3] In London he met the British-American painter R. B. Kitaj,[4] under whom he trained for some time. Since 1990 he had made installations that include sculpture, photographs and video. Vivan Sundaram, painter, sculptor, installator is a key figure in a group of contemporary artists, who have, over the last decade, moved away from the enterprise of easel painting. ” ( 1992 ; … the installation titled Meanings of Failed Action: 1946! The first Indian artists to work with installation include sculpture, installation, photography video. 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